The Romanian New Wave has enjoyed quite a substantial few years with Bad Luck Banging, Malmkrog, Întregalde, and The Whistlers. One of its forebearers, Cristia...
Following his one-of-a-kind, Oscar-nominated fantasy drama Border, Iranian-Danish director Ali Abbasi is heading into Cannes competition with his next feature,...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan and Bill Graham are joined by Mitchell Beaupre to discuss Jerrod Carmicha...
There was plenty doubt, even confusion over news Olivier Assayas would return to arguably his greatest film, Irma Vep, for HBO and A24, who turned their Euphor...
While director Anthony Banua-Simon uses the revelation as a sort of "gotcha" moment to end his documentary Cane Fire, hearing Kauai-native Larry Rivera—an ente...
As action master John Woo prepares a reimagining of his own film The Killer, he's also wrapped his next feature Silent Night, which marks his return to U.S. fi...
When it rains it pours, and after a long drought David Cronenberg is present as ever. It'd be satiating enough were we only days from a Cannes premiere for Cri...
For years—I'm talking years—the films of Jean Eustache, post-New Wave genius and forefather of more than you'd ever realize, were basically impossible to find ...
Following one of their better months of late, Criterion ring in the second half of 2022 (I know) with a pendulum swing between recent cult favorites and pre-wa...
The opening act of Twin Peaks: Fire Walk with Me is easily misread as cynical. Its first shot, a metal bat shattering a television screen, violently severs the...