The Film Stage - Page 320

NYC Weekend Watch: Dario Argento, Bad Boys II, Dore O. & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Film at Lincoln Center A 20-film Dario Argento retrospective has begun. Roxy Cinema ...

First Love Review: A.J. Edwards’ Romance Offers Impressive Scenes in Search of a Cohesive Vision

After two impressive features—visually stunning Malickian riffs The Better Angels and Age Out, which married that director's accomplished visual style wi...

New to Streaming: Cha Cha Real Smooth, Mad God, First Love, Chameleon Street & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...

Exclusive Trailer for Jacqueline Lentzou’s Moon, 66 Questions Finds a Woman Adrift in Athens

A selection at Berlinale and New Directors/New Films, Jacqueline Lentzou’s Greek drama Moon, 66 Questions is now finally getting a release next month courtesy ...

Ana de Armas is Marilyn Monroe in First Trailer for Andrew Dominik’s Blonde

At long last, Netflix is finally ready to unveil Andrew Dominik's highly anticipated Marilyn Monroe drama Blonde starring Ana de Armas. Following a shoot in 20...

The B-Side – Penélope Cruz (with Katharine Clark Gray)

Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones they made in...

Poser Directors Ori Segev & Noah Dixon on Underground Music, Social Anxieties, and Obsession

Hailing from the small city of Columbus, Ohio, filmmakers Ori Segev and Noah Dixon have made their directorial debut with Poser, which premiered to much acclai...

Tribeca Review: Rudy! A Documusical is a Messy Look at a Messy Man

As complex and conflicted as the man himself, Rudy! A Documusical––which premiered on the same evening as the first primetime January 6 hearing––never quite kn...

Abandoned Review: Emma Roberts Faces a Deteriorating Mind in Slow-Moving Horror

A former preschool teacher from "the city," Sara Davis (Emma Roberts) had been told by so many parents of the euphoric sense of love they cultivated the moment...

The Criterion Collection Announce September Lineup: Blow Out in 4K, World Cinema Project, Sean Baker & More

So as the summer starts does Criterion eye fall, their latest announcement bringing us to September—a month that will finally bring another installment of Mart...

News

James Gray to Direct Adam Driver, Jeremy Strong, and Anne Hathaway in Paper Tiger

Tarsem Singh, Jaume Collet-Serra, Kim Jee-woon, Paul W.S. Anderson & More Set Next Films

Metrograph Launches Print Publication with Inaugural Issue Featuring Ryusuke Hamaguchi, Clint Eastwood, Ari Aster & More

Trailers

The End Trailer: Tilda Swinton, Michael Shannon, and George MacKay Ring in the Apocalypse

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Reviews

AFI Fest Review: September 5 is a Competent But Bloodless Thriller

AFI Review: Vermiglio Paints a Lyrical Portrait of Desires Constrained by Catholicism

Paddington in Peru Review: Threequel Fails to Climb to Franchise Heights

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

“Less Money, More Liberty”: Paulo Branco on a Cinematic Life with David Cronenberg, Manoel De Oliveira, and Raúl Ruiz

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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