Roger Ebert once said movies are like a machine that generates empathy. Such is the third feature by Frank Berry (Michael Inside, I Used to Live Here). Followi...
Despite the rich texture of its late-1970s setting—the beginning of the latch-key kid era—Scott Derrickson’s The Black Phone fails to transcend its central pre...
Kicking off this Thursday is one of the finest annual showcases in indie filmmaking, BAMcinemaFest, taking place at BAM Rose Cinemas. Among both well-curated h...
Good Luck To You, Leo Grande is coming out at the right time. Kind, contained, and funny, this film––written by Katy Brand and directed by Sophie Hyde––serves ...
Following up The Nest, director Sean Durkin has set his next feature. The Martha Marcy May Marlene helmer will write and direct Iron Claw for A24, Deadline rep...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln Center
A 20-film Dario Argento retrospective has begun.
Roxy Cinema
...
After two impressive features—visually stunning Malickian riffs The Better Angels and Age Out, which married that director's accomplished visual style wi...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week's selections below and past r...
A selection at Berlinale and New Directors/New Films, Jacqueline Lentzou’s Greek drama Moon, 66 Questions is now finally getting a release next month courtesy ...
At long last, Netflix is finally ready to unveil Andrew Dominik's highly anticipated Marilyn Monroe drama Blonde starring Ana de Armas. Following a shoot in 20...