The Film Stage - Page 320

The B-Side – Penélope Cruz (with Katharine Clark Gray)

Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones they made in...

Poser Directors Ori Segev & Noah Dixon on Underground Music, Social Anxieties, and Obsession

Hailing from the small city of Columbus, Ohio, filmmakers Ori Segev and Noah Dixon have made their directorial debut with Poser, which premiered to much acclai...

Tribeca Review: Rudy! A Documusical is a Messy Look at a Messy Man

As complex and conflicted as the man himself, Rudy! A Documusical––which premiered on the same evening as the first primetime January 6 hearing––never quite kn...

Abandoned Review: Emma Roberts Faces a Deteriorating Mind in Slow-Moving Horror

A former preschool teacher from "the city," Sara Davis (Emma Roberts) had been told by so many parents of the euphoric sense of love they cultivated the moment...

The Criterion Collection Announce September Lineup: Blow Out in 4K, World Cinema Project, Sean Baker & More

So as the summer starts does Criterion eye fall, their latest announcement bringing us to September—a month that will finally bring another installment of Mart...

A.J. Edwards on First Love, Capturing Human Frailties with Grace, and the Brilliance of Running on Empty

Following The Better Angels and Age Out, A.J. Edwards' third feature, First Love, is both a tender tale of blossoming romance and a nuanced depiction of the pr...

The Best Films of 2022 (So Far)

As we approach 2022's halfway point it's time to take a temperature of the finest cinematic thus far: we've rounded up our favorites from the first six months ...

Bitterbrush Review: A Beautiful, Slice of Life Journey Through the Idaho Plains

While they don't know it yet, this is, for friends Colie Moline and Hollyn Patterson, the end of five years range riding together in the American Pacific North...

A Summer of Dario Argento: Watch Trailers For New Retrospective & She Will, Backed by the Horror Maestro

At the age of 81, it's been quite a year for the Italian maestro of blood, Dario Argento. At the top of 2022, the director premiered his first new feature in a...

The Film Stage Show Ep. 475 – Fire Island (with Kyle Turner)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Robyn Bahr, and Bill Graham are joined by Kyle Turner to discuss Andrew ...

News

James Gray to Direct Adam Driver, Jeremy Strong, and Anne Hathaway in Paper Tiger

Tarsem Singh, Jaume Collet-Serra, Kim Jee-woon, Paul W.S. Anderson & More Set Next Films

Metrograph Launches Print Publication with Inaugural Issue Featuring Ryusuke Hamaguchi, Clint Eastwood, Ari Aster & More

Trailers

Michel Gondry Returns to Animation in First Trailer for Maya, Give Me a Title

Steven Soderbergh Tells a Ghost Story in New Trailer for Presence

Exclusive Trailer for Jōhatsu, a Lithuanian Thriller Exploring a Japanese Phenomenon

Reviews

Juror #2 Review: Courtroom Thriller Represents the Best from Clint Eastwood’s Late Era

The Graduates Review: A Melancholic Look at a Community Bonded by Tragedy

AFI Fest Review: Robert Zemeckis’ Here Plays Like the Anti-Boyhood

Features

Tokyo International Film Festival Artistic Director Ichiyama Shôzô Offers Insight Into a Growing Organization

Posterized November 2024: A Traveler’s Needs, Queer, Flow, Bird & More

New to Streaming: Catherine Breillat, The Substance, Last Things, The Apprentice, and More

Interviews

“Nobody Ever Gave Me Anything”: Alan Rudolph on Robert Altman, Bruce Willis, Kurt Vonnegut, and Resurrecting Breakfast of Champions

Soundtrack to a Coup d’Etat Director Johan Grimonprez on a Jazz-Fueled, Kaleidoscopic Vision of Displaced Blackness

The Making of the Indian Sci-Fi Box-Office Sensation Kalki 2898 AD

Podcasts

The B-Side – Vincent Price (with Gavin Mevius)

The B-Side – Tim Burton (with Maria Lewis)

The Film Stage Show Farewell Episode – Megalopolis

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