The Film Stage

Exclusive Restoration Trailer For Black Chariot Resurrects a Long-Lost Independent Black Cinema Landmark

One of the first Black writers in television, Robert L. Goodwin scripted episodes of Bonanza, Love, American Style, All in the Family, and more. His ...

New Trailer for Tsai Ming-liang’s The Hole Ahead of 35mm Theatrical Run

Tsai Ming-liang's The Hole has occupied a large-enough place in cinephilia these last 25 years that it's sort of baffling to realize the film is just now getti...

“Memory Is Not Something You Can Trust”: Carla Simón on Romería, Family Stories, and Antonioni

Excavating her past in deeply moving ways, Spanish filmmaker Carla Simón has completed her family trilogy with Romería, following her debut Summer 1993 and Gol...

How to Divorce During the War Trailer: Sundance Winner Arrives This August

A standout at the Sundance Film Festival earlier this year, where director Andrius Blaževičius picked up Best Director in the World Cinema Dramatic Competition...

Mare’s Nest Review: Ben Rivers Radiates an Inordinate, Contagious Curiosity for the Unknown

Note: This review was originally published as part of our 2025 Locarno coverage. The film opens on June 24. Long before they came to designate a state of ho...

In the Hand of Dante Review: A Frenzied, Flimsy Adventure for Oscar Isaac and Martin Scorsese

Note: This review was originally published as part of our 2025 Venice coverage. The film arrives on Netflix on June 24. “There is no reason why a kid from a...

U.S. Trailer for Hirokazu Koreeda’s Sheep in the Box Arrives Ahead of July Release

With the bevy of films NEON brought to Cannes Film Festival this year, it's no surprise some of them will be rolling out in theaters starting this summer. On J...

“There Are Always Fascists to Defeat”: John Waters on the Enduring Legacy of His Films and Never Getting Cancelled

In 1973, Variety declared John Waters’ breakthrough film Pink Flamingos “one of the most vile, stupid and repulsive films ever made.” In 2022, that same film r...

The Debut Trailer: Julianne Moore and Paul Giamatti Lead Jesse Eisenberg’s Third Feature

While he can soon be heard in the next Minions movie, Jesse Eisenberg's major cinematic contribution of the year is his third directorial feature, following up...

Cinema Guild to Unveil Otar Iosseliani Restorations This Summer

Nobody has ever quite treated images as a building block of narrative and mood like Otar Iosseliani, though you're forgiven for having no sense of this. A favo...

News

New 4-Hour Director’s Cut of Kevin Costner’s Dances with Wolves Will Premiere at Locarno 2026

Venice Classics 2026 Lineup Features Newly Restored Films by John Cassavetes, Roman Polanski, Shinji Sōmai & More

Cinema Guild to Unveil Otar Iosseliani Restorations This Summer

Trailers

Will Poulter Navigates an American Crisis In First Trailer for Union County

Exclusive Trailer for Japan Cuts 2026 Highlights the Best of New Japanese Cinema

Sophie Thatcher and Charles Melton Traverse Giallo Underworld In Trailer for Nicolas Winding Refn’s Her Private Hell

Reviews

Camp Review: An Absorbing, Dreamlike Journey of Finding Yourself

Jackass: Best and Last Review: Knoxville & Co. Return for One Last Encore

Romería Review: A Personal Tale of Intergenerational Dissonance

Features

15 Films to See at Japan Cuts 2026

New to Streaming: The Prisoner, Silent Friend, Obsession, Fiume o morte! & More

NYC Weekend Watch: 70mm Conspiracies, Immigrants, Spectres, Sherman’s March & More

Interviews

Ross McElwee on Remake and the Painful, Profound Process of Making a Testament to His Son’s Life

Tamra Davis on Billy Madison, Half Baked, Watching Fellini and Coppola on Set, Bonding with Britney Spears, and The Best Summer

“There’s No Incentive for a Filmmaker to Retire”: Alex Cox on Returning With Dead Souls

Podcasts

The B-Sides of Julia Roberts with Joe Reid

The B-Sides of Steven Spielberg with Bilge Ebiri

The B-Sides of Goldie Hawn with Jen Johans

Read More

Exclusive Restoration Trailer For Black Chariot Resurrects a Long-Lost Independent Black Cinema Landmark

New Trailer for Tsai Ming-liang’s The Hole Ahead of 35mm Theatrical Run

“Memory Is Not Something You Can Trust”: Carla Simón on Romería, Family Stories, and Antonioni

How to Divorce During the War Trailer: Sundance Winner Arrives This August

Mare’s Nest Review: Ben Rivers Radiates an Inordinate, Contagious Curiosity for the Unknown

In the Hand of Dante Review: A Frenzied, Flimsy Adventure for Oscar Isaac and Martin Scorsese

U.S. Trailer for Hirokazu Koreeda’s Sheep in the Box Arrives Ahead of July Release

“There Are Always Fascists to Defeat”: John Waters on the Enduring Legacy of His Films and Never Getting Cancelled

The Debut Trailer: Julianne Moore and Paul Giamatti Lead Jesse Eisenberg’s Third Feature

Cinema Guild to Unveil Otar Iosseliani Restorations This Summer