It's hard to discuss Crazy World without mentioning the experience of seeing it. As the final screening of TIFF’s Midnight Madness programme, the film was accom...
A filmmaker perhaps too prolific for his own good, Lou Ye takes his latest spin ‘round the festival circuit with Saturday Fiction, a movie stuffed to bursting w...
How much would you spend on your child's education? Lori Loughlin money? Or more working-class parent utilizing public schools while voting Republican to keep t...
The devolution of a worker-owned entity into that which it was formed to combat probably occurs much faster than you'd expect. Things initially work like they s...
Ari Aster wants you to know you’re screwed–that is, if you’re on the wrong side of a deal with demons or deities. In the wake of last year’s wickedly captivatin...
Set in the pre-broadband era of Las Vegas, 1998, Numa Perrier’s Jezebel is a sensitive rather than exploitative look at legal, entry-level sex work that’s reali...
Equal parts cruel and sympathetic, Colby Holt and Sam Probst’s Pig Hag is a shocking indie debut occupying the psychological space of Jodie (Anna T Schlegel), a...
J.C. Chandor has the same energy as the squad on screen in Triple Frontier. You can read his thoughts giddily bouncing around his head before they can spill out. It doesn’t matter if you ask him about stunt helicopter crashes or character psychology, he taps into wells of energy when talking about his cinematic work....