From post-Francoist State Spain to post-reunified Germany, director Christian Alvart moves Alberto Rodríguez and Rafael Cobos' Goya Award-winning thriller Mars...
Even as the majority of theaters are closed, with films like Relic and The Beach House arriving this month, it's a good time to be a horror film this summer. L...
With his hands on the steering wheel driving down the highway, Scott (Pete Davidson) closes his eyes, ready to crash into what lies ahead and explode into flam...
More than Ken Loach’s Palme d'Or for I, Daniel Blake, the film’s Prize of the Ecumenical Jury–Special Mention indicates the nature of Loach and Paul Laverty’s ...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
There's a scene in Michael Cristofer's The Night Clerk where lead character Bart Bromley (Tye Sheridan) misreads a situation and kisses a woman. His Asperger's...
There are myriad reasons why a film can fall far short of its ambitions. A lack of funds to truly achieve a vision, an unpolished script forced into production...
Here’s a film for which the label “low-key” feels particularly misleading, one whose power resides in its simplicity, in its ability to conjure grace out of a ...
“Another day working as the nighttime janitor at the tiny French amusement park. Everyone keeps asking me if they can fuck the Tilt-A-Whirl ride. Buddy, they w...
As the culmination of what George Lucas began four decades prior, Star Wars: The Rise of Skywalker needs to conclude the Skywalker Saga and directly follow thi...