There are a lot of generic looking poster this month. I guess that's what happens when the big names are all existing IP whether it be Robert McCall, H...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
Whatever one may think of Luc Besson’s oeuvre, his films work best when they live up to their trashy potential. The director’s cinema is littered with all-out ...
MUBI has announced its lineup of streaming offerings for September, including the exclusive streaming premieres for Rebecca Zlotowski's Other People's Children...
While our massive, 60-film fall movie preview gives a hint at what to expect this season, it's time to dive deeper into September. With films from Ethan Coen, ...
To characters in Babak Jalali’s Fremont, memories both serve an artistic purpose and function as nuisance to be dealt with. Unresolved experiences while servin...
Georgian cinema continues to show thriving signs of life in Blackbird Blackbird Blackberry, a film about a contently independent woman who is faced with the th...
Playing at Cannes to nice notices and perhaps little else––no awards, alas!––Catherine Breillat's Last Summer nevertheless yields interest above much competiti...
Fallen Leaves, Aki Kaurismäki's first film since 2017’s The Other Side of Hope, took home the Jury Prize from this year's Cannes while charming critics more th...
Bearing talent equal to the totemic filmmakers of his time hasn't, all these decades hence, helped Ousmane Sembène achieve their cultural, academic, cinephilic...