Word on Wim Wenders' Perfect Days is strong––stronger than any fiction feature he's made since, God, who can even count. But though its Cannes premiere nabbed ...
With the festival kicking off tomorrow, Telluride Film Festival has now unveiled its lineup, featuring new films from Jeff Nichols (the first image from which ...
For whatever reason there's been surprisingly little hype about an Errol Morris documentary on John le Carré––a crowded fall season? that Steve Bannon thing le...
Despite its awards acclaim, the critical response to Emerald Fennell’s Promising Young Woman was a bit all-over-the-place. The Oscar winner is now ba...
There is, really, just one absence that slightly dampens the stellar fall festivals. This April it was announced that Kiyoshi Kurosawa would remake his great 1...
Welcome to The B-Side, from The Film Stage. Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that the...
Few movies this year loom like Ferrari, the long-awaited and much-delayed return of Michael Mann. Ahead of its Venice premiere, New York Film Festival showing,...
While her directorial debut Ithaca arrived nearly a decade ago with not too much fanfare, Meg Ryan is back this fall in a genre she knows well. The rom-com Wha...
The arrival of a fresh, new voice on the indie filmmaking scene is always an exciting event and the latest debut on our radar is that from Chelsea Bo, producer...
Vote of confidence, strike-related shakes, or some combination thereof? Whatever the case, us coastal elites have to wait two extra weeks for Martin Scorsese's...