Don't go to Ireland or, better yet, don't go to the part of Ireland where your insane neighbor tells you to stay out of the woods is the moral of The Hallow. Al...
With subtle nods to classic Hollywood melodramas, Black or White is a classical contemporary social issue film with notes of Douglas Sirk, wrapped in a courtroo...
With Room 237, director Rodney Ascher provided a highly entertaining exploration of over-analyzation as it pertains to Stanley Kubrick's The Shining. He now ret...
Whether it's Martha Marcy May Marlene or Sound of My Voice or this year's The Wolfpack, we've seen a number of films at Sundance deal with communes and closed c...
Regardless of one's budget, a well-executed, smart idea can sell science fiction films on the smallest of scales. With seemingly little resources, the writing a...
Growing up one can often feel sheltered from the outside world, whether its through parental restrictions, lack of a social life, or the location of one's upbri...
With a seemingly endless amount of streaming options -- not only the titles at our disposal, but services themselves -- we've taken it upon ourselves to hig...
For a good long while, Cop Car, directed by Jon Watts, plays like a wonderful genre picture, featuring two impressive lead performances from child actors James ...
Joe Swanberg keeps getting better and better. A few years ago, Swanberg seriously stepped up his game with his highest-profile film yet, Drinking Buddies. The f...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...