The career of of British filmmaker Roland Joffé is a strange one. A television director for a decade in the U.K., he earned a Best Director Oscar nomination for...
An unexpected franchise (both the hotel and the film), The Second Best Exotic Marigold Hotel is essentially a gentle sitcom. It's a form of comfort food that de...
With more substance than a run-of-the-mill Todd Phillips comedy, Unfinished Business pairs a team that knows the territory of fatherhood well: writer Steven Con...
With a seemingly endless amount of streaming options -- not only the titles at our disposal, but services themselves -- we've taken it upon ourselves to ...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Academy Award-winning director Susanne Bier isn't without her misfires, especially when it comes to her American films. The Things We Lost in the Fire is a dry ...
A vanity project that is, above all, a mixed bag, Ryan Piers Williams has committed the sin of New York filmmakers of a certain status with access to crews and ...
In 2009, when the sci-fi breakthrough District 9 premiered, it didn’t seem likely, but now it’s looking like a sad, frustrating reality: Neill Blomkamp is basic...
In the wake of Rolling Stone’s sloppy journalism chronicling a campus rape at UVA, a trend of defection has painfully occurred: slut-shaming, victim blaming and...
“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably....