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[Review] Grandma

Lily Tomlin has had more than just one “role of a lifetime” in her filmography, but in writer/director Paul Weitz’s Grandma she’s given the type of project that...

[Review] The Mend

While watching The Mend, the debut feature from writer-director John Magary, I was often reminded of a favorite point from Roger Ebert’s review of Pulp Fiction....

[Review] American Ultra

From its first few shots, it's clear that American Ultra is removed from the relatively grounded drama of Greg Mottola's underrated Adventureland, the last film...

[Review] The Man From U.N.C.L.E.

The freewheeling, frothy tone of Guy Ritchie's The Man from U.N.C.L.E. fits in perfectly with what has, so far, been a year full of light-as-air spy films. Jame...

[Review] Fort Tilden

In the acerbic indie comedy Fort Tilden, Brooklyn denizens Harper (Bridey Elliott) and Allie (Clare McNulty) prepare for a day at the Rockaways, where they plan...

[Review] Return to Sender

Return to Sender is an equally repulsive and dreadful movie that deserves to be more than spoiled -- it should be murdered, buried, and never discussed again. T...

[Review] Tom at the Farm

He's explored themes of love, matriarchal bonds, and just about everything in-between, and Xavier Dolan's fourth feature, Tom at the Farm, certainly doesn't aba...