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[Venice Review] Francofonia

Who are we without museums? Supposedly a tribute to France’s artistic excellence throughout the centuries, Francofonia quickly reveals itself as an exploration ...

[Venice Review] In Jackson Heights

How amazing it is that a human being one century from now can fire up their wind-powered neuro-image-emitter, put on Frederick Wiseman’s In Jackson Heights, and...

[Venice Review] Black Mass

Premiering out of competition at the Venice Film Festival, Scott Cooper’s Black Mass goes deep inside Boston’s underworld to chronicle the life of real-life gan...

[Venice Review] Spotlight

The latest film from Thomas McCarthy, the actor-turned-director behind The Station Agent and Win Win, focuses on the Pulitzer-winning Spotlight team from the Bo...

[Venice Review] Beasts of No Nation

If there were any question marks still floating over Cary Fukunaga’s credentials, his latest film, Beasts of No Nation, should flick them aside with ease. Based...

[Venice Review] Everest

Curtain raisers seldom come more bombastic than the last two films to open the Venice Film Festival, Alfonso Cuarón’s Gravity in 2013, and Alejandro González Iñ...

[Review] When Animals Dream

Horror – primarily quality horror - has undergone major changes over the past decade in its approach to depicting the age-old conflict of man versus the Other. ...