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[TIFF Review] Right Now, Wrong Then

Martin Scorsese made one of the first English-language (and one of the very first American) pushes for Hong Sang-soo by recording an introduction for the South ...

[TIFF Review] Office

It’s worth noting that there’s probably a certain expectation when hearing the following words “a Johnnie To musical." One thinking his classical formal talents...

[TIFF Review] Der Nachtmahr

Before the German export Der Nachtmahr even begins, the viewer is presented with not one, but two warnings – the first concerns strobing, while the other points...

[TIFF Review] Closet Monster

Writer/director Stephen Dunn's feature debut Closet Monster cares little about convention to tell the story of Oscar Madly (Connor Jessup) growing up with a psy...

[TIFF Review] Journey to the Shore

A 40-year-old Japanese woman, Mizuki (Eri Fukatsu), begins to cook by herself, the audience assuming she’s a single career woman stuck in the middle of her dail...

[TIFF Review] 3 Generations

I hate to be the guy to judge a book by its cover, but I admittedly did just that with Gaby Dellal's 3 Generations. It depicts the "unconventional" family of th...

[TIFF Review] Truth

There's a real issue with the media and how they have monetized news content over the past couple decades. Robert Redford has a great monologue as Dan Rather in...

[TIFF Review] Into the Forest

The farther we advance towards a world of complete convenience, the further we distance ourselves from self-sufficiency. Every new generation loses more skills ...