For many, Nicholas Sparks’ adaptations are a dead horse that have been beaten with punishing predictability. Now released as annual installments, every new one ...
Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory...
Another uplifting, inspirational documentary on the subject of autism and one family’s struggles, Life, Animated follows the story of the Suskind family and the...
From the opening moments, Pride and Prejudice and Zombies wears its awkward charm on its sleeve. The self-serious Mr. Darcy (Sam Riley) has crashed a ball in 19...
Testing the patience and sanity of its audience, White Girl plays like one of those nights where a friend lets their freak flag fly while you’re the sober one e...
Using gunpowder and sky as his canvas, Chinese-born artist Cai Guo-Qiang’s extraordinary statements on environmentalism, capitalism and humanity do require a la...
Dozens of films try to copy the Coens every year, and yet no one ever comes close. They have developed such a delicate, fluid witches' brew of talent behind and...
Here is where I go off-book for my final Sundance review. The film is Nicolas Pesce's frightening The Eyes of My Mother, and I am not its target audience. This ...
For much of its 79 minutes, Tahir Jetter's How To Tell You're A Douchebag feels like the type of raw, DIY and impressive indie picture that barely stands a chan...