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[Tribeca Review] First Monday In May

Following in the vein of last year’s excellent Ballet 422, First Monday In May offers another process-heavy view into the preparation of a prestigious event. T...

[Review] Barbershop: The Next Cut

There are worse reasons to make a movie than advocacy, but Malcom B. Lee’s Barbershop: The Next Cut feels so distractingly reverse-engineered from its talking ...

[Tribeca Review] All This Panic

Shot over a three-year period in Brooklyn, All This Panic offers a frequently disjointed look at the interior lives of several ordinary, middle-class Brooklynit...

[Tribeca Review] Contemporary Color

For its combination of rocking performances from famous musicians (the line-up included St. Vincent, tUnE-yArDs, Nelly Furtado, and Byrne himself), the dazzling...

[Review] Above and Below

Writer-director Nicolas Steiner’s graduation film has nothing to do about moving on to new stages of life. Above and Below, his dramatized documentary, rather h...

[Review] My Big Night

My Big Night tells you what it is right up front: big with a capital "B," a maximalist extravaganza satirizing the day-to-day life on a show business set that h...

[Review] The Jungle Book

Advances in digital technology have now given filmmakers the chance to do things that would have been impossible just a decade ago. With this bold new power com...