On paper, Brimstone has a lot going for it: it’s an ambitious European production that's been shot in multiple countries to capture the essence of iconic Americ...
One can accuse François Ozon of many things, but lack of ideas isn’t one of them. The prolific French auteur is a constant presence at A-list film festivals sin...
Mel Gibson is back in the director’s chair after a decade to remind us, in his own devout way, that war is hell and faith is good. Hacksaw Ridge, his new World ...
Isn’t it strange how cinema’s greatest misanthropes always seem, deep down, to be the most empathetic. It’s as if the total lack of sentiment for (and complete ...
“You have to learn to enjoy the absurdity of our world,” says Michael Sheen’s L.A. socialite to Amy Adams' disillusioned art gallery owner at the after party of...
Even as one who loves his work and the traffic it brings this site, I can readily admit that we probably have just about enough in the way of David Lynch-re...
Chuck looks a bit familiar. A film of browns and greens; disco music and ‘70s rock tunes; big haircuts and even bigger lapels. Indeed, in a way reminiscent of r...
I have seen Kiyoshi Kurosawa's Daguerrotype, and the most I'm currently allowed to say is this: no, I've not yet learned how to blind-type that title. (It's...
According to our coverage, this year's Cannes Film Festival was among the more fulfilling in recent memory, which might explain why a (reportedly) solid eff...
