“You have to learn to enjoy the absurdity of our world,” says Michael Sheen’s L.A. socialite to Amy Adams' disillusioned art gallery owner at the after party of...
Even as one who loves his work and the traffic it brings this site, I can readily admit that we probably have just about enough in the way of David Lynch-re...
Chuck looks a bit familiar. A film of browns and greens; disco music and ‘70s rock tunes; big haircuts and even bigger lapels. Indeed, in a way reminiscent of r...
I have seen Kiyoshi Kurosawa's Daguerrotype, and the most I'm currently allowed to say is this: no, I've not yet learned how to blind-type that title. (It's...
According to our coverage, this year's Cannes Film Festival was among the more fulfilling in recent memory, which might explain why a (reportedly) solid eff...
Ten years after Anthony Minghella optioned Liz Jensen's The 9th Life of Louis Drax to develop cinematically, it was his son Max who saw it begin production. The...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
In Arrival, prolific Québécois director Denis Villeneuve ponders the ramifications and possibilities of a potential first-contact between human beings and an ad...