Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
In Arrival, prolific Québécois director Denis Villeneuve ponders the ramifications and possibilities of a potential first-contact between human beings and an ad...
Just last week, it was proposed that there is (currently) no better director of actors than Kelly Reichardt, which we tend to agree with. This notion is fur...
The fall is about to get a whole lot funnier. Best in Show and Waiting for Guffman director Christopher Guest is finally back to feature filmmaking with the...
The Beautiful Days of Aranjuez, the latest wistful, contemplative narrative effort from German director Wim Wenders, is the type of “European Film” you might ha...
After crafting one of our favorite (and most darkly uncomfortable) yuletide favorites over the last few years with White Reindeer, director Zach Clark is ba...
One of two Marion Cotillard-led feature at Cannes this year, Nicole Garcia's From the Land of the Moon is a period weepy, set after World War II, which foll...
There’s a great recurring gag in Whiplash director Damien Chazelle’s La La Land -- a beautiful, audacious, aesthetically vibrant, and enchanting contemporary mu...
Paul Verhoeven is back in a major way this year, teaming with one of the finest actresses in cinema, Isabelle Huppert. One of the highest-praised films of C...