The Film Stage - Page 1121

Adam Driver, Daniel Craig & Channing Tatum Plan a Heist in First Trailer for Steven Soderbergh’s ‘Logan Lucky’

Steven Soderbergh is back, and he's bringing Channing Tatum, Adam Driver, Daniel Craig, Seth MacFarlane, Riley Keough, Katie Holmes, Katherine Waterson, Dwi...

Cannes Review: ‘Based on a True Story’ is an Uninspired Psychological Thriller from Roman Polanski

A psychological thriller directed by Roman Polanski and co-written by Polanski and Olivier Assayas – elevator pitches don’t get much more promising than that. S...

Cannes Review: ‘L’amant double’ is a Bizarre Exercise in Psychological Horror, Erotic Thriller, and Camp

L'amant double is the sort of film you wouldn’t mind seeing Roman Polanski take a stab at. Shot in chic but soulless Parisian interiors, it’s the type of thing ...

Cannes Review: ‘You Were Never Really Here’ is a Propulsive, Expressionistic Tour De Force

On the surface, Jonathan Ames’ You Were Never Really Here seems like an odd fit as source material for a film by Lynne Ramsay. Ames’ novella is a pulpy genre ex...

Cinematic Gold is Struck in Trailer for ‘Dawson City: Frozen Time’

In 1978, a construction crew breaking ground for a rec center found something completely unexpected buried under ice and debris in an old mining town in the...

Cannes Review: ‘Western’ is a Contemplative, Brilliant Critique of the Immaturity of Men

It is, undeniably, a bold decision to title one’s film Western: on the one hand, the word carries geopolitical weight and a cultural hegemony that the cinema is...

Cannes Review: ‘Claire’s Camera’ Has Seductive Energy and Low Stakes

Hong Sang-soo’s first film starring Isabelle Huppert, In Another Country, counts as one of the more lightweight entries in the Korean auteur’s oeuvre. Compare i...

Cannes Review: ‘Before We Vanish’ is a Playfully Philosophical Exercise in Apocalyptic Sci-Fi

There are few directors who would choose to take a semi-sincere approach to a lengthy pseudo-philosophical science-fiction film -- especially not one that light...

Cannes Review: ‘Rodin’ Doesn’t Do Justice to a Great Artist

It's one thing to make a movie about an artist and his art; it is a whole other thing to make a movie about an artist mostly just doing his art. That is the cen...

Cannes Review: Robert Pattinson Hits a Career High in the Dazzling, Drug-Fueled ‘Good Time’

It’s probably safe to say that, up until now, no lucid person had compared a Safdie brothers film to the work of Michael Mann. Indeed, it may still be a stretch...

News

Listen to Ludwig Göransson’s Score for The Odyssey

James Gray’s Paper Tiger Sets North American Premiere as Opening Night of the 64th New York Film Festival

The Criterion Collection’s October Lineup Features The Silence of the Lambs and Guillermo del Toro’s Frankenstein on 4K, Jerzy Skolimowski, and Samuel Fuller

Trailers

Hanging by a Wire Trailer: Thrilling Rescue Documentary Will Arrive This August

Olmo Trailer: Fernando Eimbcke’s TIFF and Berlinale Selection Arrives This August

The Uprising Trailer: Andrew Garfield Leads a Rebellion for Paul Greengrass

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

Four Must-See Titles from Il Cinema Ritrovato 2026

New to Streaming: Miroirs No. 3, Backrooms, The Currents, Obsession & More

The Best Movies Now Playing in Theaters

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

The B-Sides of Christopher Nolan with Blake Howard

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

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