“Man is a wolf to his fellow man," quotes a character early in Sergei Loznitsa’s A Gentle Creature. The ordeal suffered by its protagonist will indeed be solita...
Hindsight is a marvelous thing. To quote the lead character of a recent Hong Sang-soo film (and by recent we mean Claire’s Camera, the second of three the proli...
Laurent Cantet has been a bit absent in the international cinema scene ever since winning the Palme d'Or for 2008's The Class. It's not for a lack of trying, of...
With the strongest one-two punch of first produced scripts in Hollywood the past few years, Taylor Sheridan has emerged as a distinctive voice in revitalizi...
Luc Besson is looking to recapture that goofball Fifth Element charm with his latest sci-fi spectacle Valerian and the City of a Thousand Planets. Adapted f...
Cannon fire rumbles menacingly in the distance, but it’s human desire that might prove to be the greater threat after all in The Beguiled. Set to the backdrop o...
With Wonder, author Stephen Chbosky returns to the director’s chair for the first time since he helmed the film adaptation of his novel The Perks of Being a...
There's more to The Women's Balcony than the American marketing machine has thus far presented. Billed as a feel good comedy of communal spirit — and correctly ...
Blame it on 21 Jump Street. In 2012, Phil Lord and Christopher Miller rebooted a silly, cult television series with a clever wink. It was a hit that spawned a h...