The title isn’t an order; it’s a plea. Wind, Talk to Me, Stefan Djordjevic’s feature debut, began as a portrait of the director’s ailing mother, Negrica, a...
Kicking off this week, the 2025 Berlinale provides an eclectic showcase of world cinema. One directorial debut on our radar comes from Sophie Somerville, Melbo...
A yearly highlight of New York programming (and North American options at large), the Museum of the Moving Image’s First Look returns on March 12 with an openi...
Following up his intense second feature Beanpole, we've been waiting to see if Kantemir Balagov’s follow-up would finally come to fruition. After years of deve...
Following up her two consecutive features Sharp Stick and Catherine Called Birdy, Lena Dunham jumped into the 10-episode Netflix rom-com Too Much, which will h...
Learning about Gabriele D'Annunzio’s 16-month occupation of Fiume, a tale vividly retold in Igor Bezinović’s new, Tiger Award-winning documentary Fiume o M...
David Zaslav isn't the only one in Hollywood completely scrapping already-shot feature films. This week brings news that a pair of high-profile forthcoming fil...
Though he recently shot Bugonia and has long been attached to adapt perpetual subway read My Year of Rest and Relaxation, Yorgos Lanthimos has kept at least on...
At the beginning of my review of The Village Detective: A Song Cycle, I wrote: “It is hard to overstate how important Bill Morrison’s work is to the language a...
2025 is in full swing and a majority of America is probably looking for a means of escape from the literal and figurative flames engulfing their nation...