NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln Center
A Raymond Depardon retrospective begins.
Museum of the Moving Image
A massive retrospective of 2001 in cinema brings A.I. on 35mm, along with Spirited Away, All About Lily Chou-Chou, and Werckmeister Harmonies; Lucrecia Martel’s The Headless Woman plays on Saturday.
Roxy Cinema
Crash shows on 35mm; Owen Kline and Shane Fleming introduce a 16mm print of Tony Richardon’s The Loved One on Sunday.
BAM
A series on Black Cuba begins.
Museum of Modern Art
Bong Joon-ho, Park Chan-wook, and Hong Sangsoo have helped curate Seoul After Dark, which highlights lesser-known Korean cinema, with films by Bong and Lee Chang-dong also included.
Film Forum
Films by Coppola, Scorsese, King Vidor, Chaplin, Keaton, Sergio Leone, and more play in Tenement Stories; a 4K restoration of Bitter Rice continues; Little Annie Rooney shows on Sunday.
IFC Center
The Killing of a Chinese Bookie shows in its theatrical and director’s cuts; Cruising, Climax, Crouching Tiger, and The Piano Teacher play late.
Anthology Film Archives
Valentine’s Day programming continues with films by Andrzej Żuławski, Albert Brooks, Maurice Pialat, and more while an Avant-Garde Ads series continues; work by Andrew Noren screens in Essential Cinema.
Nitehawk Cinema
Blithe Spirit and a print of Snow Day play early.
Metrograph
The Reckless Moment, Memoria, Punch-Drunk Love, Alice in Wonderland, Comrades: Almost a Love Story, Distant, and Lolita play on 35mm; Henry Jaglom’s newly restored Can She Bake a Cherry Pie? begins a run, as does Politics of Time; Valentine’s Day at Metrograph, Currents of Southeast Asian Cinema, a Maggie Cheung series, the Max Ophuls retrospective, The Year Begins in Silence, and Touch Me with Your Eyes continue.