An influence on the likes of Takashi Miike and Yoshiaki Kawajiri, director Hideo Gosha has often gone overlooked in the pantheon of Japanese directors, despite...
Premiering with much fervor at Venice Film Festival, Halina Reijn's Bodies Bodies Bodies follow-up Babygirl finds Nicole Kidman playing a high-powered CEO who ...
Pamela Anderson receives the role of a lifetime in Gia Coppola's new feature The Last Showgirl, playing a glamorous showgirl who must plan for her future when ...
Catherine Breillat's Last Summer isn't the only provocative French drama this year to explore, let's say, unconventional relationships. Endless Summer Syndrome...
While Martin Scorsese has pushed back plans for most of his upcoming projects, he's still lending his hands to others. He's produced Beatles ’64, helmed b...
One of my favorite films from this year's New York Film Festival was Rungano Nyoni's I Am Not a Witch follow-up On Becoming a Guinea Fowl. Winner of the Best D...
After making a splash with his influencer satire Sweat, Swedish director Magnus von Horn returned to Cannes Film Festival earlier this year with the black-and-...
This fall, Walter Salles finally returned with his first feature in 12 twelve years, the moving political/family drama I'm Still Here. Led by a powerhouse perf...
Henri-Georges Clouzot's The Wages of Fear remains a standard-bearer 71 years after the fact. Its 4K restoration from Hiventy thus comes as no surprise, and––ju...
The future looked quite bleak even before the events of last week, but now Asif Kapadia's speculative hybrid feature 2073 feels all the more relevant following...
