One of the potential breakout directorial debuts of Sundance Film Festival, which kicks off this week, is Mark Anthony Green's thriller Opus. Backed by A24, wh...
Leos Carax isn't the only recent filmmaker turning the camera lens on himself. One of the most brilliant comedic minds to emerge at the turn of the millennium,...
While we still await a U.S. release for Takeshi Kitano's samurai epic Kubi, his latest film is getting a worldwide release next month. Broken Rage, which premi...
After making waves this holiday season with the wildly thrilling Carry-On, marking one of Netflix's most-watched movies ever, Jaume Collet-Serra is back with t...
Much of Australian cinema lives in the shadow of Peter Weir, and perhaps nothing of his own looms larger than Picnic at Hanging Rock. I'm sure the film is quit...
Kelly O'Sullivan and Alex Thompson's deeply moving drama Ghostlight made a splash last year following its Sundance Film Festival premiere and subsequent summer...
Premiering at TIFF earlier this fall, Frederik Louis Hviid's thriller The Quiet Ones captures the tale of the group that pulled off the largest heist in Danish...
Canonized two years ago as the greatest film of all time, topping Sight and Sound's once-every-decade poll, Chantal Akerman’s Jeanne Dielman, 23 quai du Commer...
After her 2021 breakout with The Worst Person in the World, Renate Reinsve’s 2022 and 2023 seemed fairly quiet, but she was working on no shortage of projects ...
It's been eight years since Paul W.S. Anderson's last proper theatrical release (Monster Hunter being a COVID film and all), but the fires of vulgar auteurism ...
