One of the most popular films of the century thus far, although perhaps not having anything to do with standard quality metrics, is Tommy Wiseau's The Room...
While not arriving with the mostly unanimous acclaim that most of his other films received upon premiere, we still found a lot to like with Alexander Payne'...
It's been a weekend full of reviews from the Toronto International Film Festival, and along with the premieres, it means producers or (if the film is lucky ...
After dodging a bullet by leaving just before production was set to begin on Collateral Beauty, the first true Hollywood production from Alfonso Gomez‐Rejon...
In early 2018, we'll be treated with a pair of highly-promising stop-motion animations. Before Wes Anderson's Isle of Dogs arrives in April, Nick Park and A...
While his breakout feature Force Majeure was met with much acclaim a few years ago, Ruben Östlund returned to Cannes Film Festival with The Square, which ea...
After a nearly year-long wait from its Cannes premiere to U.S. debut for Joachim Trier's last film, Louder Than Bombs, the delay won't be nearly as long for...
Expanding her narrative scope but still retaining a level of aesthetic intimacy, Dee Rees’ Pariah follow-up Mudbound has the old-fashioned storytelling feel...
There most be something in the water in Chile, at least when it pertains to the prolific nature of its emerging directors. Following Pablo Larraín's one-two...
After breaking out with the Jeff Bridges-led Crazy Heart, Scott Cooper has struggled to find the same level of acclaim with his follow-ups Out of the Furnac...
