A highlight at this year's mostly online Sundance Film Festival earlier this year, Jonas Poher Rasmussen's Flee picked up the Grand Jury Prize and now ahead of...
Few documentaries made an impact at Sundance comparable to Sabaya—it did win their World Cinema Documentary Directing Award, after all. Which surely played no ...
In the sea (one might say glut) of contemporary animation—a form that, by its very nature, is most often supported by the ever-watchful eye of major studios—br...
Pablo Larraín is gearing up for a major second half of 2021. At long last, his dance/relationship drama Ema will arrive next month (more on that later) and the...
After jumping into English-language work with the star-studded western The Sisters Brothers, Jacques Audiard is returning to his native country with a new dram...
Yet another Berlin 2020 title finally making its way to the world, Eyimofe (This Is My Desire) arrives with some lofty expectations—it is, after all, a Ja...
It is, knowing Bruno Dumont, almost certainly a joke to have the premiere French actress of our time play a crisis-stricken character named France, but I don't...
Some years since Cemetery of Splendour has Apichatpong Weerasethakul returned, this time under two unusual conditions: in English and with a movie star before ...
Justin Kurzel doesn't make it easy. Notwithstanding the oddity that is his Assassin's Creed movie, the Australian auteur has distinct eyes for horrors—so we se...
Few films in Cannes, competition or otherwise, have us excited like Arnaud Desplechin's Deception, the director's adaptation of Philip Roth's erotic, dialogue-...
