One of the most inventive, stunningly nightmarish animations of the last decade, The Wolf House was the work of Chilean filmmakers Cristobal León and Joaquín C...
One of the most ravishing films I've seen thus far this year is Jessica Beshir’s feature debut Faya Dayi, which explores the Khat trade in Ethiopia. Shot in be...
From Alien to MASH to Contact to Harold and Maude to Top Gun, Tom Skerritt has impressed with numerous supporting turns as one of Hollywood's preeminent charac...
Passing away in April of last year, Japanese director Nobuhiko Obayashi left behind a surreal, fascinating body of work. While he was most known for his Criter...
Spike Lee's best film this century is not 25th Hour; it's not Inside Man; I'll defend Oldboy but, come on; it's definitely not American Utopia; and whatever a ...
Joel Coen and Steven Spielberg aren't the only filmmakers drawing from William Shakespeare as of late. Matías Piñeiro, who has playfully done so for much of hi...
One of the more ambitious films I saw at Sundance Film Festival earlier this year was Lyle Mitchell Corbine Jr.'s Wild Indian. Featuring a stellar performance ...
The formula for the concert documentary is a tried-and-true one, with only a few surprises to arrive here and there. Martin Scorsese had some fun with the tene...
After one of the greatest, most understated performances of his career in the recent release Pig, Nicolas Cage is back in gonzo action mode with none other tha...
With the Olympics behind us and the US Open around the corner, it's the prime time to serve up tennis-related films. Earlier this year we got a new restoration...
