Following up his break-out horror hit The Witch and his black-and-white buddy comedy of sorts, The Lighthouse, Robert Eggers is returning in 2022 with his bigg...
One of the most beautiful films I've seen in the last few years, Pushpendra Singh's The Shepherdess and the Seven Songs is finally getting a U.S. theatrical re...
Making for the ideal winter viewing, Hong Sang-soo's black-and-white drama Introduction––the first of two features to premiere on the festival circuit this yea...
After a major year featuring one of the best roles of his career in Pig and also one of his wildest with Sion Sono's Prisoners of the Ghostland, Nicolas Cage i...
Ping-ponging between major blockbusters like the Mission: Impossible and Fast & Furious franchises and indie dramas such as Pieces of a Woman and The World...
After their one-of-a-kind, fart-propelled odyssey Swiss Army Man, Daniel Kwan and Daniel Scheinert briefly went their separate ways as the latter directed the ...
When Apichatpong Weerasethakul calls it "THE best film of the last 125 years," lend a second of your time. Largely unseen upon its 2004 release by Steve Bannon...
At long last, Terrence Malick's awe-inspiring documentary Voyage of Time will be able to be seen by more eyes. Premiering back in the fall of 2016 in two forms...
Once accustomed to receiving splashy festival premieres and major theatrical roll-outs, Woody Allen's films are now relegated to getting dumped stateside follo...
From Sweetgrass to Leviathan to Manakamana to El Mar La Mar to Caniba, Harvard's Sensory Ethnography Lab is responsible for some of the most fascinating non-fi...
