Opening next week, Seven Psychopaths contains a scene that sums up the MacGuffin driving Taken 2 – Sam Rockwell ponders the a validity of “an eye for an eye," c...
Butter, directed by Jim Field Smith, begins brave and strong, like so many pieces of satire. And while it does form into a pleasantly light, sweet-hearted exami...
The Oranges, the feature directorial debut of Julian Farino (producer of HBO’s Entourage), operates within a setting so brutally common within the world of the ...
Life of Pi, Ang Lee's gallant, visually overwhelming adaptation of Yann Martel's bestseller, takes a little while to get going. The animals-are-precious opening...
A suitably grim atmosphere, an invested lead and a lack of a knowing wink are what Solomon Kane has going for it. That may scare people away from this sword-and...
When watching a film made more than four decades ago, there is a tendency to think that some of the atmosphere and intensity might be lost. After all, horror fi...
Closely resembling the Danish original, the UK version of Pusher is an impressive creation that has similarly engaging characters and taut, frenetic action. Bas...
Anything trying to capitalize on the now-waning Glee craze and Step Up's surprising staying power probably should be dismissed sight unseen. How could a film de...
What's so greatly appealing about Christian Petzold's Barbara is that, for a good chunk of its 105-minute runtime, the film douses itself in an atmosphere of re...
The war against AIDS was fought and won by those dying on the frontlines in Greenwich Village, New York City who could no longer accept a country's willingness ...
