Joachim Pinto’s What Now? Remind Me begins as a personal diary film, a chronicle of his ongoing to struggle to live with AIDS, interesting primarily because of ...
I feel a bit like François Truffaut diagnosing “A Certain Tendency of French Cinema," but after In Our Nature, The Big Ask, Lullaby, and now Jesse Zwick’s About...
With Chocolat and Salmon Fishing in the Yemen under his belt, The Hundred-Foot Journey isn't anything approaching new territory for director Lasse Hallström. Bu...
The Dog is a lively, epic documentary biography of John Wojtowicz, an anti-hero of sorts in New York’s gay rights movement. A later episode in his life would be...
We need to talk about Into the Storm's unsung hero: Lucas. Played by Lee Whittaker, most won't think twice about his character standing on the sidelines with ca...
Shifting modes from his previous personal investigations, Alex Gibney, perhaps the second-greatest documentary filmmaker working today, is absent from his lates...
When Christopher Denham's Preservation shows recently discharged vet Sean Neary (Pablo Schreiber) telling sister-in-law Wit (Wrenn Schmidt) about how playing wa...
Many might take my comparing Ejecta to The Fourth Kind as a slight, but I actually enjoy the latter feature. While Chad Archibald and Matt Wiele's science ficti...
In 2010, Mark Hartley followed up his tribute to Australia’s trashy film past Not Quite Hollywood: The Wild, Untold Story of Ozploitation with Machete Maidens U...
While ultimately a flawed film, Time Lapse does do what every memorable sci-fi brainteaser should: it makes you blind to the obvious. I bought into the premise ...
