Despite an opening suggesting we’re in for a meticulous modern Western, The Frontier, directed by Matt Rabinowitz, embodies the mood, atmosphere and longing fou...
A teenage girl, captured through a static wide shot, runs through a quaint Detroit suburb, her body dwarfed by its trees and middle-class homes. The sense that ...
La Sapienza opens with a montage of Italy’s greatest architectural wonders -- cathedrals, domes, churches, and more shot in perfect lighting, propelled to grand...
Writer/director David Oelhoffen has a special film on his hands because it's powerful tale begs audience members to learn more about the subject. I'm not talkin...
I’ll bet Laura Wade’s 2010 play Posh is something special to see on stage. A fictionalized take on Oxford University’s exclusive Bullingdon Club, it’s debaucher...
No one is ever going to say Ross Katz's Adult Beginners is original. The opening implosion for Jake's (Nick Kroll) multi-million dollar investment project was d...
There is a vast spectrum between the most insensitive and compassionate cinematic portrayals of cross-dressing, and François Ozon’s The New Girlfriend aims some...
Deceptively gentle and delightful, High Society is a distinctively French drama of manors from Julie Lopes-Curval who knows this territory intimately. (Lopes-Cu...
Haemoo is an effective moral thriller that immediately mirrors the best work of its co-writer and producer Bong Joon-ho. What starts as slow and straight-forwar...
Adapted from a New Yorker essay and directed by Isabel Coixet (Elegy), Learning to Drive is often tender and delightful. Traversing territory covered in her pre...
