French directors Alain Gagnol (who also wrote) and Jean-Loup Felicioli have another winner on their hands with Phantom Boy. The much-anticipated follow-up to th...
The opening to Marc Abraham's I Saw the Light holds a lot of intrigue. Based on Colin Escott's biography about hillbilly legend Hank Williams, the start goes fr...
A list of things The Reflektor Tapes comes close to being but doesn’t quite end up as: a concert film stitching together Arcade Fire's work on a worldwide tour ...
Something is off within the opening minutes of our Yakuza tale as heavy doses of computer-generated bloodshed elevate the proceedings to, in perhaps an understa...
Writer/director Alexandra-Therese Keining's adaptation of Jessica Schiefuer's 2011 August Prize-winning (Sweden) young adult novel Pojkarna (translated as The B...
Hearing how deeply a film touched its cast lends a certain air that might not normally be there. Len and Company has it as Juno Temple and star Rhys Ifans both ...
While I'm not familiar with Anders Thomas Jensen's solo work, I am with the films he has collaborated on opposite Susanne Bier. So to see images of his latest M...
The opening credits of Nanni Moretti’s Mia Madre, with portentous music set against a black background, set off a few warning bells. Has the weight of the human...
It may only be his second feature-length fictional narrative, but writer/director Guy Édoin's Ville-Marie is something special. The title is named after the Mon...
After Michael Lennox's success with the Oscar-nominated short Boogaloo and Graham, it was only a matter of time before he'd delve back into the feature game wit...
