Philippe Garrel, the 69-year-old veteran of the French New Wave, has produced a casual, bittersweet, and intoxicating study of relationships in flux starring hi...
When it comes to satire, there are few easier targets than the world of contemporary art. “My 5-year-old could do that,” so goes the saying. This is not to indi...
Claire Denis may not be the first Francophone auteur expected to turn in a romantic comedy, and her latest will disappoint those expecting Nancy Meyers a Paris....
Bill Nye: Science Guy offers an intimate, behind the bow tie look at the eccentric and flawed star of the public television series he co-created with James McKe...
With a title that sounds a like a rehab facility, Michael Angarano’s Avenues is a spirited, micro-budget indie that recalls the New York City-based work of earl...
The juxtaposition of supernatural thriller tropes and urgent socio-political issues in Kornél Mundruczó’s latest movie -- an original take on the superhero orig...
Perhaps there’s nothing worse than a film with a campy premise that takes itself too seriously. Everything, Everything takes it title from a spoiler alert its l...
In the middle of King Arthur: Legend of the Sword -- writer-director Guy Ritchie’s attempted blend of cockney wit found in the films that made his career with f...
A shot late in Andrey Zvyagintsev’s Loveless encapsulates both the film’s overarching message and its author’s bludgeoning directorial approach. One of the prot...
Alfred Hitchcock might have been stating the obvious when he said, "If it’s a good movie, the sound could go off and the audience would still have a perfect ide...
