By Jordan Ruimy
Based on the popular book by R. J. Palacio, Stephen Chbosky's Wonder is a sweet, delicate, self-aware adaptation that remarkably sidesteps most...
The opening transition from credits to film of Petra Biondina Volpe's Tribeca Film Festival Audience Award-winning The Divine Order is absolute perfection. With...
By Jordan Ruimy
Sherlock Holmes was successfully given the cinematic and television treatment this last century, both of which been met with hardcore following...
If you've ever worked an office job wherein every single one of your bosses has been promoted above his/her aptitude, you know what futility feels like. You sla...
Boldly marketed in Japan and abroad as the 100th film of the legendary Takashi Miike, one has to ask if Blade of the Immortal can be appropriately burdened with...
The MCU is a hive mind. That is, a majority of its entries can come off as flavorless exercises in staying “on brand” at the expense of identity and aesthetic. ...
When someone kills seventeen people over a thirteen-year span with words like necrophilia and cannibalism circling each murder, sympathy for the predator — not ...
Arriving just in time to kick off the holiday season, A Bad Moms Christmas is exactly as structurally safe and verbally vulgar as one might expect. Based off th...
The new Japanese animation house Studio Ponoc, founded and staffed by veterans of Studio Ghibli, has made a mission statement with its first feature, Mary and T...
It's easy for Americans to look at a film like Eli Roth's Hostel and find themselves afraid of the situation presented as one they could fall prey to if the cir...
