Marvel Studio's first foray into a female-led film must, in our modern world, necessarily carry with it an unfair amount of cultural baggage. Will Brie Larson, ...
I must open this review by simply stating the obvious that some critics might be overlooking: we may not be the audience for Tyler Perry’s A Madea Family Funera...
French director François Ozon has delivered one of the best films of his eclectic career with By the Grace of God, a drama whose seriousness and sincerity marks...
CoinCoin, formerly known as Li’l Quinquin in Bruno Dumont’s film of the same title, is back in CoinCoin and the Extra-Humans (CoinCoin et les Z’inhumains). His ...
It isn’t easy making a film like Driveways stand out. We have walked these streets so often before. We know the twists and turns. We expect the darker corners. ...
For his debut feature, writer-director-cinematographer Mark Jenkin takes a parable about a contemporary fishing community under threat from wealthy outsiders an...
The phrase "important film" covers all manner of cinematic sins. If a narrative speaks to a specific issue or disenfranchisement, it can make critique a little ...
Like the protagonist of his latest film, The Wedding Guest, Michael Winterbottom is a wanderer–cinematically, that is. There are few filmmakers in modern cinema...
In 2017, by the time the Chinese government began to furiously clamp down on the country’s live-broadcasting frenzy, a whopping 422 million Chinese regularly tu...
“I lose my keys every other week. I’m a fraud of a person. Do you see me raising a kid?” When Vir finds out she’s pregnant, early into Carlos Marqués-Marcet eng...
