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    • NYC Weekend Watch: Nadja, Seoul After Dark, Tenement Stories & More

    • Todd Haynes to Shoot De Noche with Pedro Pascal and Danny Ramirez Starting Next Month

    • David Lynch’s Scripts for Unrecorded Night, Which Was to Star Toby Jones, to Be Published

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    • Tooth Shop Fiasco Exclusive Trailer: Sasquatch Sunset Producer David Harari Makes Directorial Debut

    • Love Conquers Death in First Trailer for Grace Glowicki’s Dead Lover

    • Exit 8 Trailer: Genki Kawamura’s Acclaimed Videogame Adaptation Arrives in April

  • Reviews

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    • Rotterdam Review: With Tokyo Taxi, Yoji Yamada Cruises Down Well-Traveled Roads

    • Sundance Review: Wicker Audaciously Contemplates the Self-Destructive Perils of Jealousy

    • Sundance Review: The Gallerist Is Too Referential to Properly Satirize the Art World 

  • Features

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    • New to Streaming: The Secret Agent, Hamnet, Boys Go to Jupiter, The Plague & More

    • Posterized February 2026: Wuthering Heights, Pillion, My Father’s Shadow & More

    • The Best Movies Now Playing in Theaters

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    • “I Still Feel Like an Outcast”: Michael Almereyda on Nadja, Peter Fonda, David Lynch’s Fantômas, and Zero K

    • Pillion Director Harry Lighton on Portraying Realistic Sex and Rethinking Queer Narratives

    • “Images Are Dead”: Oliver Laxe on Sirāt and Spirituality

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    • The B-Side Ep. 175 – Rachel McAdams

    • The Best Films of 2025 and Most-Anticipated Films of 2026

    • The B-Side Ep. 174 – James Stewart (with Mitchell Beaupre)

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News

You’re Invited to an Online Screenwriting Workshop, Taught by Matthew Gasda and Nick Newman, Beginning Next Week

62nd New York Film Festival Main Slate Features Mike Leigh, Julia Loktev, Sean Baker, David Cronenberg, Brady Corbet & More

David Lynch Reveals He Can Only Direct Remotely; Martin Scorsese Plans Limited Series and Smaller Films

Stream David Lynch and Chrystabell’s New Album Cellophane Memories

Pedro Almodóvar’s The Room Next Door Set for Centerpiece of 62nd New York Film Festival

Claire Denis Says She Would Direct a Batman Movie Under One Condition

Kiyoshi Kurosawa’s Serpent’s Path and More Set for San Sebastián Film Festival

Brady Corbet’s The Brutalist is 215 Minutes, Presented in 70mm Across 26 Reels

Gentle Creatures: Robert Bresson and Mani Kaul Screens at BAM on August 5

Steve McQueen’s Blitz Will Close the 62nd New York Film Festival

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Latest

“I Still Feel Like an Outcast”: Michael Almereyda on Nadja, Peter Fonda, David Lynch’s Fantômas, and Zero K

New to Streaming: The Secret Agent, Hamnet, Boys Go to Jupiter, The Plague & More

Pillion Director Harry Lighton on Portraying Realistic Sex and Rethinking Queer Narratives

Posterized February 2026: Wuthering Heights, Pillion, My Father’s Shadow & More

Rotterdam Review: With Tokyo Taxi, Yoji Yamada Cruises Down Well-Traveled Roads

Sundance Review: Wicker Audaciously Contemplates the Self-Destructive Perils of Jealousy

Tooth Shop Fiasco Exclusive Trailer: Sasquatch Sunset Producer David Harari Makes Directorial Debut

Sundance Review: The Gallerist Is Too Referential to Properly Satirize the Art World 

Sundance Review: Take Me Home is a Heartbreaking Indictment of a Failing Social Safety Net

Rotterdam Review: Tycoon is a Staggering Portrait of a City on Fire

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