Abel Ferrara is hardly the most bankable filmmaker and this project has yet to be financially secured, so let's just hope extra-hard that the pieces fall to...
The long-brewing, peculiar prospect of a Denis Villeneuve-directed, Roger Deakins-shot, Ryan Gosling-led Blade Runner sequel won't come to fruition for almo...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
This summer, prolific Korean auteur Hong Sang-soo scored his biggest U.S. hit yet with Right Now, Wrong Then, a Groundhog Day-esque comedy about a man grant...
Looking over next summer's wide-release slate, it becomes clear, and perhaps unsurprisingly so, that Christopher Nolan's Dunkirk is not so much one of the t...
Given the extent to which this website pays Martin Scorsese attention, it will not surprise readers to learn we (i.e. the few of us who've seen it) think Si...
Whatever you make of the actual jokes, there's little arguing against Jacques Tati as cinema's the most painstaking, elaborate comedic artist. Conducting so...
Finding a previously unexposed corner of industry and bringing to light all of its muck, fire, noise, pain, and bizarre end results, Zhao Liang's Behemoth m...
In a set-up that we could safely call cineaste catnip, Béla Tarr's Sarajevo Film Academy held a discussion between Apichatpong Weerasethakul and Carlos Reyg...
Assured as we are in our appreciation, Terrence Malick devotees might have found the conversation surrounding Knight of Cups unfulfilling for how little it ...
