This summer, prolific Korean auteur Hong Sang-soo scored his biggest U.S. hit yet with Right Now, Wrong Then, a Groundhog Day-esque comedy about a man grant...
Looking over next summer's wide-release slate, it becomes clear, and perhaps unsurprisingly so, that Christopher Nolan's Dunkirk is not so much one of the t...
Given the extent to which this website pays Martin Scorsese attention, it will not surprise readers to learn we (i.e. the few of us who've seen it) think Si...
Whatever you make of the actual jokes, there's little arguing against Jacques Tati as cinema's the most painstaking, elaborate comedic artist. Conducting so...
Finding a previously unexposed corner of industry and bringing to light all of its muck, fire, noise, pain, and bizarre end results, Zhao Liang's Behemoth m...
In a set-up that we could safely call cineaste catnip, Béla Tarr's Sarajevo Film Academy held a discussion between Apichatpong Weerasethakul and Carlos Reyg...
Assured as we are in our appreciation, Terrence Malick devotees might have found the conversation surrounding Knight of Cups unfulfilling for how little it ...
Woe betide the critic assigned an auteur's passion project. To finally experience the long-awaited work of a favorite artist always proves slightly psychotic fo...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Let's just state this upfront: despite a general respect for Jeff Nichols and the majority of its cast, I hold about zero interest in their new collaboratio...
