It's of course common to overlook the Slamdance Film Festival, which boldly (nobly?) runs concurrent with a better-known, phonetically similar exhibition, but ...
February, marking both Black History Month and Valentine's Day, is the kind of stretch from which a programmer can mine plenty. Accordingly the Criterion Chann...
The nominations for the 2023 Academy Awards are one of the least-dignified things I have had to scramble with after (admittedly) sleeping in late, and if it's ...
Criterion begin this year (or just go into their fourth month) with a bang. Three 4K releases will mark April: The Seventh Seal (what black levels your OLED wi...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of Modern ArtAlways a highlight of the repertory year, To Save and Project highlight...
Following The Film Stage's collective top 50 films of 2022, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
Just...
Update: A close source has relayed word from certain members of Megalopolis' crew; they describe the set of Coppola's film as the smoothest they've worked in s...
News arrived this morning of Michael Snow's passing at age 94. With it came deserved, customary notices of Snow's genius: his capacity to rework film form with...
