NYC Weekend Watch is our weekly round-up of repertory offerings.
BAMMy ten-film Manoel de Oliveira retrospective Mirror of Life begins, with numerous restor...
Miguel Gomes' Best Director victory at Cannes likely struck a small but passionate group of cinephiles as a greater win for the cause. It had been nearly 20 ye...
Last year I was fortunate to see a rough cut of Invention, a new film by Courtney Stephens (Terra Femme, The American Sector) that toes the documentary-fiction...
This week consecrates a major turn in the 50-year career of Alan Rudolph, which began as an assistant to and screenwriter for Robert Altman before transitionin...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy CinemaMartin Scorsese has programmed Living, Breathing New York, which continues with ...
I'm old enough to remember when Jacques Rivette films were the domain of dark-web networks and substandard DVD rips, a conspiratorial network worthy of his cin...
98% of interviews follow the same pleasantries-exchange / question-and-answer / pleasantries-exchange format, yet there are those rare times an incredible oppo...
If Alain Guiraudie has still not quite transcended festival obscurity to become an American art-house staple, all the more credit to the films––they’ve never a...
I've still never seen The Wages of Fear (life moves fast and there's books to read in-between all those films) but within days of Criterion's 4K arriving at my...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy CinemaMartin Scorsese has programmed Living, Breathing New York, which starts with Sha...
