It's one of the great fallacies that comedy doesn't need to look good. (Blame years of badly lit Apatow productions and nearly every modern studio release bein...
I'm possibly embargoed from speaking too much about Arnaud Desplechin's Spectateurs! / Filmlovers!, which debuts at the Cannes Film Festival on May 22, but suf...
Oh, Canada debuting this week on the Croisette is high time to see lesser-seen Schrader on the Criterion Channel, who'll debut an 11-title series including the...
Update: By popular demand, an encore screening's been added for Wednesday, May 29. See the original story below.
My screening series Amnesiascope will have ...
Rarely has a star been less visible than Jordi Mollà in Aggro Dr1ft. You could surmise this only knowing the film by random screenshots invariably featuring th...
For their latest retrospective, Metrograph have turned their sights towards Kelly Reichardt. Ahead of "American Landscapes: The Cinema of Kelly Reichardt" runn...
Safe to say Drive My Car's success wouldn't have reached its historic heights sans Eiko Ishibashi, whose musical contributions acted as both complement and cou...
I've predicted Megalopolis, anticipated as it is, will have a clear dividing point: the cultural commentariat hoping to see "another film by the director of Th...
Rarely does film news engender such outcry as word of Netflix cancelling David Lynch's animated feature Snootworld––and understandably so––but I'm far more inc...
