Within the wide-ranging international conversation surrounding contemporary cinema, few names land on best-working-filmmaker lists as often as Jia Zhangke -...
Update: Magnolia has acquired the film, officially titled Ismael’s Ghosts, Variety reports.
When interviewing Arnaud Desplechin last fall, I briefly got ...
Excepting a handful of his contemporaries, no director encourages widespread debate as much as Terrence Malick, a once-revered mystery man whose increasingl...
In the summers of 2012 and 2015, the question I found myself asked most often -- other than "do you understand that this is a family restaurant?" -- was "re...
With three Sundance premieres under his belt, it may have only been a matter of time before Antonio Campos (Christine, Simon Killer, Afterschool) moved onto...
It can be said with little hesitation, and without even looking at the slate of what's to come, that the restoration of a Fritz Lang film will be among any ...
Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list....
When observing its material from something of a remove, it could easily be argued that Fassbinder: To Love Without Demands is a bit drier than its amazing subje...
There are many reasons one could argue for Cannes' 2016 lineup as their best in recent years; the most persuasive might be its plurality of options,...
