Martin Scorsese has been interested in adapting Shūsaku Endō's Silence longer than many of you have been alive, and that length hasn't been for lack of tryi...
The past couple of weeks have proved so frightening a turn of events that it can be easy to forget what would've otherwise been a momentous occasion: follow...
While at the Camerimage International Film Festival, we sat down for a long, surprisingly personal conversation in which Young reveals his personal philosophies, creative insecurities, and the many steps that go into creating an image for Denis Villeneuve. ...
If no film this year has been as uniformly praised as Moonlight, it's natural that the cinematography has impressed just about anybody, believer or otherwise, who comes into contact....
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Being the cinematographer who's had a heavy hand in cinema's most distinct visual palette of the last 20 years, Robert Yeoman -- better-known as Wes Anderson's regular DP -- need not have a new film for us to want to speak with him....
The composer discusses her score whose presence on the soundtrack is, like the surrounding film, something of a contradiction: unmissable yet unintrusive, and enveloping as it disappears into the dramatic action. ...
