Before you ask, no: not another Before film. Julie Delpy's tried to clear that up—much as I suspect she's literally lying and another film's already been shot—...
Good news: Todd Haynes' first feature-length doc is not a wash. Our review of The Velvet Underground, which concerns the history of , promises a film in keepin...
A highlight of last year's fall-fest circuit, Wife of a Spy is yet another confirmation of Kiyoshi Kurosawa's mastery—of form where every shot is necessary, an...
With Ema now finally getting a U.S. release this month, Pablo Larraín is quickly returning with his Kristen Stewart-led Princess Diana drama Spencer. Ahead of ...
Next month’s Criterion Channel selection is here, and as 2021 winds down further cements their status as our single greatest streaming service. Off the top I t...
A relatively early exercise in Francis Ford Coppola's revisionist tendencies, The Outsiders found its deserved recognition with The Complete Novel, a 22-years-...
It's not at the scandalous level of its poster—so long as Instagram doesn't have anything to say about it—but a Pedro Almodóvar preview gets eyes, lactation or...
An especially prolific few years for Paolo Sorrentino have yielded a return to roots—so's the word on The Hand of God, a Netflix-backed production set in the d...
Comparisons abound—Frances Ha and Eric Rohmer seemingly closest at hand, Martín Rejtman if you want to dig a bit deeper—but it's the pleasure of discovering a ...
The 59th New York Film Festival continues to expand its lineup, following Main Slate and Revivals announcements. The in-person event, which will take place fro...
After graduating from Hampshire College with a degree in music theory, Leonard Pearce turned his passions to film and writing. He lives in upstate NY with his wife Laura and cat Tardi.
