MUBI's U.S. lineup for next month has been unveiled, including some essential recent releases, notably James Vaughan's Friends and Strangers, Radu Muntean's În...
The Cannes market ensures there is no shortage of news updates, and so we have another round-up. The talented Marielle Heller has found her next project as Var...
Before Martin McDonagh's In Bruges reunion The Banshees of Inisherin arrives this fall, the latest from his brother John Michael McDonagh, The Forgiven, opens ...
There was plenty doubt, even confusion over news Olivier Assayas would return to arguably his greatest film, Irma Vep, for HBO and A24, who turned their Euphor...
When it rains it pours, and after a long drought David Cronenberg is present as ever. It'd be satiating enough were we only days from a Cannes premiere for Cri...
For years—I'm talking years—the films of Jean Eustache, post-New Wave genius and forefather of more than you'd ever realize, were basically impossible to find ...
Following one of their better months of late, Criterion ring in the second half of 2022 (I know) with a pendulum swing between recent cult favorites and pre-wa...
Let's appreciate Hideaki Anno so long as he's with us. Less than a year since gifting us a fitting, fittingly head-spinning finale to his Evangelion saga, his ...
John Carpenter's current musical output is so voluminous it's almost easy to take him for granted. After a recent run on the Halloween sequels—and before this ...
Just today, coming back from picking up a salad and potato chips—yin to yang, etc—I found myself wondering how Rob Reiner (few people's idea of a pantheon film...
After graduating from Hampshire College with a degree in music theory, Leonard Pearce turned his passions to film and writing. He lives in upstate NY with his wife Laura and cat Tardi.
