Following his first three films–Hunger, Shame, and 12 Years a Slave–Steve McQueen took a different path with Widows, carving a female-led heist thriller tha...
While his last film Roman J. Israel, Esq. didn't earn as much acclaim as Nightcrawler, this writer found it to be a more fascinating, idiosyncratic characte...
Premiering nearly a year ago at the Berlin International Film Festival, I caught up with An Elephant Sitting Still at New Directors/New Films and hoped this...
To celebrate the 100th anniversary of the American Society of Cinematographers (ASC) this year, they've polled their members to determine 100 milestone film...
While he reached international acclaim with Barbara and Phoenix, Christian Petzold's filmography is full of rich, enigmatic genre riffs that delight with su...
Following This Is Not a Film (2011), Closed Curtain (2013), and Taxi (2015), Jafar Panahi's fourth film made under his ban premiered at Cannes Film Festival...
After her acclaimed debut Sworn Virgin, director Laura Bispuri returned last year with Daughter of Mine, which stars a trio of actresses: Valeria Golino, Al...
With a seemingly endless amount of streaming options -- not only the titles at our disposal, but services themselves -- we're highlighting the noteworthy ti...
In a career spanning over 150 films over more than half-a-century (not to mention numerous broken bones), Jackie Chan has kicked, punched, and sprinted his ...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
