Guillaume Canet’s Blood Ties not only tells a story that’s been wrought so often, but, worse yet, in a manner that lacks the raw, rough, and ready energy of tho...
A stunningly beautiful film, director John Curran's Tracks traces the physical and psychological 1,700-mile trek of Robyn Davidson (Mia Wasikowska) from the cen...
Intimately told by those that were closest to Penthouse Magazine founder Bob Guccione, Filthy Gorgeous by Barry Avrich is a rich, fascinating and entertaining p...
The most disturbing thing about the case regarding those most commonly known as the West Memphis Three is that some version of it can be still happening, right ...
Tommy Oliver’s tender, personal 1982 is a strong debut feature. Starring Hill Harper as Tim Brown, a hardworking family man, he's mostly hard at work launching ...
The Summer of Flying Fish is not an easy film to discuss. Sparse, beautiful and often leaving the audience in limbo, the narrative feature debut of Chilean docu...
At first glance, The Mayor appears to tell a very interesting story in a rather bland way as directors Emiliano Altuna, Diego Enrique Osorno and Carlos Rossini ...
Beautifully shot and impeccably directed, Exit Marrakech (also known in some territories as Morocco) is a stunning new film written and directed by Caroline Lin...
I feel as if I learned very little from One Direction: This is Us, a movie that is more of a consumer product or an event than an actual feature film. My guess ...
Screen Gems ought to have waited to release The Mortal Instruments: City of Bones in early September while the critical world was distracted at the Toronto Inte...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
