Tucked away in a screen at your local multiplex you’ll find another feature film, all be it not an Oscar prestige drama, tackling another contemporary issue hea...
Like filmmakers before him who have crafted works expressing the fears and anxieties surrounding Y2K (Wong Kar-wai, David Fincher, and Gary Burns spring to mind...
The saying “it is what it is” comes to mind when describing Taken 3. While that's certainly a cop-out in film criticism, unlike the thrillers that promise thril...
While I certainly won't evoke Chicken Little, and while the box office was down this year, the sky is not totally falling cinematically. But if we're speaking...
With a kind of quiet reserve, Big Eyes is a rare effort from the Tim Burton that plays it straight. The director wisely keeps the Burton-esque touches to a mini...
Opening with cold, narrative efficiency, Rupert Wyatt’s remake of Karel Reisz’s 1974 film is a stylish mess. Mark Wahlberg stars as Jim Bennett, a down-on-his-l...
In a season of Oscar-bait one of the most daring films of the year can be found in that perhaps sole multiplex in your region that frequently dedicates a screen...
Observant, quiet and authentic, Lily, the feature film debut of director/co-writer Matt Creed stars his co-writer Amy Grantham as a young artist in the final st...
Needy and broad, Take Care is an exhausting experience for all the wrong reasons. Expanding what might make for an effective 20-minute short with carefully obse...
Sweet and silly, Dr. Cabbie follows in the footsteps of broad Bollywood and Canadian comedies melding both sensibilities into a contemporary narrative that’s as...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
