Double Whammy is the kind of roadside “breasturant” that sells escapism alongside their fried food and burgers. They may in fact be a dying breed as those damn ...
While many indie filmmakers like Andrew Bujalski started making films in apartments with their friends and scaled up to larger projects, Michigan-based madman J...
Written by two life-long friends and comedy TV veterans, Dan Gregor and Doug Mand, Most Likely To Murder is a fun-enough comedy with a few laughs that never qui...
Uncompromisingly challenging at times, Jim Cummings' feature-length adaptation of his award-winning 2016 short film Thunder Road offers a unique portrait of a t...
It's never an easy feat to examine cultural phenomenons when the people telling the story are close to the subject, but Being Frank: The Chris Sievey Story make...
While on its surface, Sadie is not an explicitly political film about the present American condition, it is a story of the “forgotten men and women” hidden from...
Blockers doesn’t pull off the impossible so much as it turns the tables on a common formula, finding something fresh, empowering, and hilarious in that time-old...
Attempting to create an oral history of teenhood through the “filter” of Instagram, Jonathan Ignatius Green’s Social Animals is partly a combination of after-sc...
Opening with a whimsical shot of Leigh (lead actress and screenwriter Meredith Johnston) wandering around an empty small-town landscape past a carnival winding ...
One of the ideas of More Human Than Human, directed by Tommy Pallotta and Femke Wolting, is to have a computer replace a filmmaker, asking participant questions...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
