With a deliberate pace, Sonia Kennebeck’s United States vs. Reality Winner quietly directs its outrage towards the injustice faced by 25-year-old whistle blowe...
The Hunt for Planet B is an evocative documentary about something everyone has pondered at one time or another: is there another evolved planet beyond our gala...
One of the tools of the trade that 22-year-old domino artist Lily Hevesh shares with a group of families at Rensselaer Polytechnic Institute is the importance ...
Many companies these days throw around terms like “innovation," “digital transformation,” and “entrepreneurial culture” without actually doing anything unique,...
It's a shame pop musician Charli XCX wasn’t quarantined with anyone with formal film training during the pandemic. Alone Together, her debut feature as co-cine...
Completing his planned trilogy about gay life in Sandusky, Ohio––a town known by most outsiders as the setting for Chris Farley’s Tommy Boy and the home of amu...
Violet, Justine Bateman’s often sharp commentary on a certain side of the movie business, suggests what might have happened if the protagonist of Kitty Green’s...
One of several timely films offering a personal and global perspective on COVID-19, Hannah Olson’s medium-length documentary The Last Cruise is a stirring pers...
Several years ago, South Park asked the question: at what point is it acceptable to make a joke about a tragedy? The answer within that universe was 20 years. ...
What more can you say about a guy who’s been an open book for the last two-and-a-half decades? Herein lies the challenge of Malcolm Ingram’s warm, American Mas...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
