Run Rabbit Run, the latest from director Daina Reid, has all the ingredients of the modern mother-daughter horror film. There are the strung-out bass notes and...
“Can I quote you?” As it did throughout Jodi Kantor and Meghan Twohey’s intrepid investigative journalism for the New York Times, that question reverberates in...
Alice Diop was never interested in the outcome. In 2016, the filmmaker attended the trial of Senegalese mother Fabienne Kabou, who walked to the beach in Berck...
In 2016, documentary filmmaker Alice Diop (We) felt compelled to attend the trial of Fabienne Kabou, a Senegalese mother accused of infanticide. Pregnant at th...
All throughout Amsterdam you can hear the gears clunking and grinding and screeching. Could it be the rust? It’s been seven years since David O. Russell made a...
Last year, in an article for Blood Knife, R.S. Benedict diagnosed a central issue plaguing most modern action movies: “Everyone is beautiful. And yet, no one i...
Over the 80 years of his comic book, televised, and cinematic existence, Batman has always grappled with his secretive dual identity. Bruce Wayne hobnobs and t...
A few thrillers have premiered at this year’s Sundance Film Festival that feature vulnerable and underestimated women, but none of them carry the quiet, enigma...
A romantic comedy that functions best as a fable of friendship and self-reflection, Am I OK? is the kind of lightweight, amiable movie that just barely earns t...
It’s not exactly cool to be the nice guy these days, but Cooper Raiff is making a good case for them again. In each of the 24-year-old’s first two movies, his ...
